Ten years ago — July 26, 2007 — one of North Carolina’s most spectacular economic development boondoggles hosted its first performance.

Dolly Parton’s brother Randy performed his first public show at the Roanoke Rapids theater that would bear his name. Parton had a contract to perform at the 35,000-square foot, 1,500-seat facility as well as manage it. The first shows were well-attended, but the number of empty seats grew steadily over the next few months.

Some nights fewer than 100 people showed up to watch.

Randy Parton, at left, was escorted from the theater Dec. 6, 2007, just before taking the stage. Roanoke Rapids officials said Parton was intoxicated. He did not perform there again. (CJ photo by Don Carrington)

On Dec. 6, just as Parton was getting ready to take the stage, city officials determined he was under the influence of alcohol and sent him home. He never performed at the theater again.

By any measure, the Randy Parton Theatre was a colossal failure. It was to anchor an entertainment district including shops, restaurants, motels, and family recreational activities. The first phase, covering 116 acres, would attract $129 million in private investment and create 2,595 jobs, based on an economic impact analysis by researchers at the Carolina Center for Competitive Economics at UNC-Chapel Hill. The researchers also predicted the project would produce 12,250 jobs for the region.

What an anchor it was.

Parton invested none of his own money, the city borrowed $21 million, and state agencies added about $6 million to launch the project. State Senate leader Marc Basnight, House Speaker Jim Black, and the Department of Transportation under Gov. Mike Easley championed the project.

City officials had bet on Parton’s ability to manage the theater competently and attract enough customers to cover expenses. Before coming to Roanoke Rapids, Parton played at the Dollywood Amusement Park in Pigeon Forge, Tennessee. But he had no experience managing a theater, and the customers failed to materialize.

Before the theater opened, Carolina Journal documented questionable feasibility studies, unrealistic economic impact forecasts, conflicts of interest, lack of transparency, reckless spending, a marketing campaign that was never funded, and Parton’s lack of management experience. CJ later reported poor attendance after the theater opened and provided an on-the-scene report the night city officials sent Parton home.

The project became public in July 2005, when North Carolina’s Northeast Partnership, a 16-county, state-funded regional economic development organization, announced “Randy Parton, brother of mega-star Dolly Parton, inked a deal with private developers and the City of Roanoke Rapids for development of a music theater and entertainment district” along Interstate 95.

“The Northeast Partnership is extremely proud to have played a role in bringing Randy Parton and the entertainment district to Roanoke Rapids and Halifax County. The economic impact of this project will be felt for generations to come,” Partnership Chairman Jack Runion said at the time.

“This is exactly the type of business the citizens of Roanoke Rapids want and need. There will be thousands of good jobs created, and the revenues from the entertainment district will benefit all of Roanoke Rapids and Halifax County,” Roanoke Rapids Mayor Drewery Beale said.

Northeast Partnership CEO Rick Watson developed the concept for the theater and recruited Randy Parton to participate. Watson persuaded Roanoke Rapids officials that they were competing with other North Carolina communities in his 16-county region to land the project. Watson’s conflict of interest became public after CJ revealed he had a one-third ownership interest in Parton’s company, Moonlight Bandit Productions. The partnership’s board of directors terminated Watson in 2006 for working for Parton while he was still being paid for his state-funded economic development job.

Roanoke Rapids City Manager Joseph Scherer told CJ the city still owes roughly $15 million on the building and has an annual debt service of $964,952. Each month the facility hosts one to three events — typically concerts, plays, or car shows. The annual expenses, not counting debt service, are about $175,000. Net income from the theater averages about $30,000 a year.

Scherer said the city wants to sell the property but would not disclose the price, saying that’s not public information.